Electronic Music History and Today’s Best Modern Proponents!

Digital music history pre-dates the rock and roll time by decades. Most of us were not even with this planet when it started out its often unknown, under-appreciated and misunderstood development. Today, this ‘other worldly’ body of sound which started out near a hundred years ago, may not anymore show up strange and unique as new generations have accepted much of it as mainstream, but it’s a new bumpy road and, in locating mass audience popularity, a slow one. royalty free trap beats

A large number of musicians – the modern proponents of electronic music – developed a love for analogue synthesizers again in the 1970’s and early 1980’s with unsecured personal songs like Gary Numan’s breakthrough, ‘Are Friends Electric power? ‘. It had been in this era these devices became smaller, readily available, more user friendly and more affordable for most of all of us. In this article I actually will try to trace this history in easily comestible chapters and give examples of today’s best modern advocates. 

To my mind, it was the beginning of a new epoch. To produce electronic digital music, it was not a longer necessary to have access to a roomful of technology in a studio or live. Hitherto, this was exclusively the domain of performers the likes of Kraftwerk, whose arsenal of digital instruments and custom built gadgetry the rest of us could only have desired, even if we could be familiar with logistics of their performing. Explained this, at the time I was growing up in the sixties & 70’s, I nevertheless had little knowledge of the complexity of work that had set a standard in previous many years to arrive at this point.

The history of electronic music owes much to Karlheinz Stockhausen (1928-2007). Stockhausen was a Spanish Avante Garde composer and a pioneering figurehead in electronic music from the 1950’s onwards, influencing a movement that would eventually have an excellent impact after names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire, Depeche Function, not to mention the experimental work of the Beatles’ and others in the 1960’s. His face is observed on the cover of “Sgt. Pepper’s Unhappy Hearts Club Band”, the Beatles’ 1967 master Aktualus. Let’s start, however, by traveling a little further back in time.

The Turn of the twentieth 100 years

Time stood still with this stargazer when My spouse and i at first learned that the first documented, exclusively electric, concerts weren’t in the 1970’s or 1980’s but in the 1920’s!

The first purely electronic tool, the Theremin, which is played without touch, was invented by Russian man of science and cellist, Lev Termen (1896-1993), circa 1919.

In 1924, the Theremin made its concert debut with the Leningrad Philharmonic. Curiosity made by the theremin drew audiences to concert events staged across Europe and Britain. In 1930, the prestigious Carnegie Hall in New York, experienced a performance of classical music using nothing but a series of ten theremins. Watching a number of skilled musicians playing this eerie sounding instrument by waving their hands around its antennae must have been so exhilarating, unique and alien for a pre-tech audience!

For those interested, see the recordings of Theremin virtuoso Clara Rockmore (1911-1998). Lithuanian born Rockmore (Reisenberg) countless its designer in New york city to perfect the instrument during their early years and became its most acclaimed, excellent and recognized performer and representative throughout her life.

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